First published
It is that time of the year again. The Chinese New Year, better known as Spring Festival, is about to start. The annual CCTV Gala celebrates the start of the festival with its 4-hour-long live televised show. After live-blogging this event in 2016, in 2017, and in 2018, we’re here this year again to keep you updated throughout the show on what’s going on.
A live-streaming of the Gala is embedded in this post and will be live on Monday, February 4, 20.00 pm China Standard Time. If you have any difficulties watching, check out this YouTube link, or watch straight from CCTV. We will be live-blogging on this page here (if embedded content below doesn’t immediately pop up, please give it some seconds to load). Please keep your browser open, you’ll hear a beep for new updates during the event.
About the show
The CCTV New Year’s Gala (中国中央电视台春节联欢晚会 or Chunwan 春晚) is an annual live television event that is broadcasted by the national television station CCTV on New Year’s Eve. It first aired in 1983, and is watched by millions of people. In 2012, it broke the Guinness records for being the “most watched national network broadcast in the world” when it had over 500 million viewers. Last year, the show drew more than one billion viewers (Gao 2012; Jing 2019).
Despite the common criticism on the show, it is still much anticipated every year. The Gala features different acts, including singing, dancing, and comedy. It is a tradition for families to gather around the TV to watch the Gala before the New Year comes at midnight. It has also become a tradition to comment on the show and complain about it, something that is especially visible on Chinese social media, where the show inevitably becomes a trending topic every year. Criticism on the Gala is actually so commonplace that the sentence “there’ll never be a ‘worst’, just ‘worse than last year‘ (央视春晚，没有最烂，只有更烂) has become a popular saying over the years (Wang 2015, 192).
Although the Gala is a live broadcast from CCTV’s No.1 Studio, every year’s show has a taped version of the full dress rehearsal. As described by Scocca (2011), the tape runs together with the live broadcast, so that in the event of a problem or disruption, the producers can seamlessly switch to the taped version without TV audiences noticing anything.
– By Manya Koetse & Miranda Barnes
References
Gao, Yuan. 2012. “Constructing National Idenitiy through Media Ritual: A Case Study of the CCTv spring Festival Gala.” Master’s Thesis, Media and Communication Studies, Uppsala University.
Jing, Meng. 2019. “Baidu seeks to play catch up in mobile app race with bet on world’s most-watched TV show.” South China Morning Post, 18 January https://www.scmp.com/tech/big-tech/article/2182616/baidu-seeks-play-catch-mobile-app-race-bet-worlds-most-watched-tv-show [2.2.19].
Scocca, Tom. 2011. Beijing Welcomes You: Unveiling the Capital City of the Future. New York: Riverhead Books.
Wang Ge. 2015. “Popular Spring Festival Gala language: Sociocultural Observations.” In Linda Tsung and Wei Wang, Contemporary Chinese Discourse and Social Practice in China, 185-200. Amsterdam/Philadelpia: John Benjamins Publishing Company.
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